Friday, February 18, 2005 |
EXPERTS ASK: IS FINGERPRINT IN PAINTING da VINCI'S? |
ROME--- It's an artistic mystery whose hottest clue is a fingerprint.
"The Adoration of the Christ Child" is attributed to Fra Bartolomeo, but a newly discovered fingerprint in the paint, along with stylistic similarities, are making experts think of Leonardo da Vinci, who sometimes left an imprint on his works as a sort of signature.
Near the completion of the painting's year long restoration, "a king of yellowish halo could be seen in the sky in the upper left", the chief restorer, Elisabetta Zatti, said Tuesday, describing the fingerprint she found.
Attribution of the painting has long been in question, and some illustrations names have come up through the centuries -- Raphael, Ghirlandaio, Lorenzo di Credi.
The key may lie in Krakow, Poland, where a Leonardo master piece, "Lady with an Ermine", bears the Renaissance master's fingerprint. Photos of the "Adoration" will be flown there next month for comparison.
Hands a hallmark of Leonardo
Leonardo was big on code. He wrote backwards in his notebooks and used such symbols as wild primrose, which represnets resurrection, and the blue veronica flower, symbol of the eyes of the Virgin Mary, Primrose and veronica have shown up in the restored "Adoration".
The work, hanging in Rome's Galleria Borghese, is believed to have been painted in the late 15th century or early 16th and depicts Joseph and Mary gazing down at the infant Jesus.
Perhaps the msot striking revelation are Mary's large and somewhat masculine hands, a hallmark of many female figures in Leonardo's work.
Alessandro Vezzosi, the director of a museaum dedicated to Leonardo near Florence who was not involved in the restoration, said the discovery was interesting, but cautioned that more research was needed.
(abstracted from CHISUNTIME/ Associated Press/ Marta Falconi) |
posted by infraternam meam @ 4:05 AM |
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